تحلیل رمان «الفلاح» عبدالرحمان شرقاوی بر پایه زیبایی‌شناسی انتقادی مکتب فرانکفورت

نوع مقاله : مقاله پژوهشی

نویسندگان

1 دانشیار گروه زبان و ادبیات عربی. دانشگاه حکیم سبزواری. سبزوار. ایران.

2 دانشجوی کارشناسی ارشد گروه زبان و ادبیات عربی دانشگاه حکیم سبزواری

10.22034/mcal.2025.22487.2453

چکیده

نظریۀ زیبایی‌شناسی انتقادی، یکی از مفاهیم بنیادین مکتب فرانکفورت در قرن بیستم است که به نقد ساختارهای جامعۀ سرمایه‌داری می‌پردازد. این مکتب بر این باور است که هنر، به‌عنوان ترکیبی از تجربه‌های حسی و ادراک عقلانی، تنها پدیده‌ای است که می‌تواند به شکلی اصیل به درک زیبایی بپردازد. هنر محدود به سرگرمی یا زیبایی محض نیست، بلکه ابزاری مهم برای نقد اجتماعی و ایجاد تغییرات بنیادین در جوامع است. هدف از پژوهش حاضر، تحلیل رمان «الفلاح» عبدالرحمن، شرقاوی رمان‌نویس مصری، بر پایۀ زیبایی‌شناسی انتقادی با تکیه بر روش توصیفی _تحلیلی است. رمان «الفلاح»، به‌عنوان نمونه‌ای از ادبیات انتقادی، از منظری زیباشناختی به نقد جامعۀ سرمایه‌داری و تأثیرات آن بر فرهنگ می‌پردازد. این پژوهش، به‌دنبال پاسخگویی به این پرسش است که چگونه شرقاوی با بهره‌گیری هنرمندانه از زیبایی هنر به نقد ساختارهای قدرت و ایدئولوژی‌های غالب پرداخته و چگونه هنر را به ابزاری برای تقویت تفکر انتقادی و آگاهی اجتماعی تبدیل کرده است؟ رمان «الفلاح» با تکیه برزیبایی‌شناسی انتقادی و مفهوم کلیدی آن یعنی نقد فرهنگ توده‌ای، خوانندگان را به بررسی تضادها، نابرابری‌ها و کلیشه‌های فرهنگی دعوت‎می‌کند و زمینه‌ا را برای تحلیل عمیق‌تر جامعۀ پسااستعماری مصر فراهم می‌آورد. با واکاوی مفاهیمی چون مقابله با صنعت فرهنگ، مخالفت با فردگرایی و ذره‌گرایی ، تضادهای دیالکتیکی و نقد کلیشه‌های جنسیتی، نتایج پژوهش نشان‌داد که شرقاوی با آفرینش شخصیت‌هایی متنوع و پیچیده و روایتی جذاب، از تضاد‌ها، نابرابری‌های اجتماعی، فساد سیاسی و بحران هویتی جامعه که به واسطۀ فرهنگ‌ توده‌ای، پنهان است، سخن‌می‌گوید و خواننده را به تفکر و نقد جامعه هدایت می‌کند.

کلیدواژه‌ها


عنوان مقاله [English]

Analysis of Abdul Rahman Sharqawi's novel "Al-Falah" based on the critical aesthetics of the Frankfurt School

نویسندگان [English]

  • hojjatollah fasanghari 1
  • Fatemeh Saeedi Siahdasht 2
1 Associate Professor of the Department of Arabic Language and Literature. Hakim Sabzevari University. Greenery Iran.
2 , M.A Student in Arabic language and Literatuer, University of Hakim Sabzevari
چکیده [English]

Analysis of Abdul Rahman Sharqawi's novel "Al-Falah" based on the critical aesthetics of the Frankfurt School

Introduction : Critical Aesthetic Theory, one of the foundational concepts of the Frankfurt School in the 20th century, provides a framework for critiquing the structures of capitalist societies. This school of thought posits that art, as a synthesis of sensory experiences and rational perception, is the only phenomenon capable of authentically engaging with beauty. Art is not confined to mere entertainment or pure aesthetics; rather, it serves as a vital tool for social critique and fostering fundamental societal transformations. The present study aims to analyze The Peasant (Al-Fallāḥ ), a novel by the Egyptian writer Abdel Rahman Al-Sharqawi, through the lens of Critical Aesthetic Theory, employing a descriptive-analytical methodology. As an example of critical literature, The Peasant offers an aesthetic critique of capitalist society and its cultural impacts. This research seeks to answer how Al-Sharqawi artistically employs the beauty of art to critique power structures and dominant ideologies, and how he transforms art into a medium for enhancing critical thinking and social awareness.

Methodology : This study adopts a descriptive-analytical approach to examine The Peasant . The analysis is grounded in Critical Aesthetic Theory, with a particular focus on its key concept of mass culture critique. By exploring themes such as resistance to the culture industry, opposition to individualism and reductionism, dialectical contradictions, and the critique of gender stereotypes, the research investigates how Al-Sharqawi uses diverse and complex characters, along with an engaging narrative, to address social inequalities, political corruption, identity crises, and hidden societal issues perpetuated by mass culture.

Results and Discussion : The findings of this research reveal that Al-Sharqawi effectively employs artistic beauty as a means to critique societal structures and dominant ideologies. Through the creation of multifaceted characters and a compelling narrative, he highlights contradictions, social inequalities, political corruption, and identity crises within Egyptian postcolonial society, which are often obscured by mass culture. By inviting readers to examine these contradictions, inequalities, and cultural stereotypes, The Peasant fosters deeper reflection and analysis of societal issues. The novel's engagement with themes such as the critique of mass culture, opposition to individualism, and the deconstruction of gender stereotypes demonstrates how art can serve as a powerful medium for promoting critical thinking and social consciousness.

Conclusion : The Peasant stands as a significant example of critical literature that uses art as a tool for social critique and change. Al-Sharqawi's novel not only critiques the structures of capitalist society and their cultural impacts but also emphasizes the transformative potential of art. By addressing social contradictions, inequalities, and hidden societal issues, the novel invites readers to engage in critical thinking and reflection on their own society. This study underscores the relevance of Critical Aesthetic Theory in analyzing literary works and highlights the enduring power of art to challenge dominant ideologies and foster social awareness.



Keywords : Critical Aesthetics, The Novel "The Peasant," Abdel Rahman Al-Sharqawi, Mass Culture, Postcolonial Egypt.







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کلیدواژه‌ها [English]

  • Critical Aesthetics, The Novel "
  • The Peasant,"
  • Abdel Rahman Al-Sharqawi, Mass Culture, Postcolonial Egypt